Saturday, July 25, 2009

Rapelling from a Helicopter

It might be hard for someone who doesn't sew, or who never stretched the limits of their sewing ability, or who never cut into $687 per yard French beaded lace to understand that this isn't women sitting stiff backed in a circle with embroidery hoops in hand waiting for the men to come in from the hunt stuff. There is an adrenaline rush. Your heart pounds as that sewing machine needle pumps up and down through the layers of lace and silk, tracing the boundary of beads cut from the seam line. I imagine its not unlike the rush my son might get when he is rapelling from a helicopter on a mission as a member of the Sierra Madre Fire and Rescue Team, or the rush my husband might get when swooping down an undersea canyon wall.




Here is the progress I made today. May not look like much to someone who doesn't sew, but you just wait until next week, when I will wear this dress, completed at the opening reception for Fine Fabrics 3rd Annual World's Finest Lace Show.

Saturday, July 18, 2009

Bringing Out the Color

One of the benefits of owning Fine Fabrics is that when it comes time to make something for myself, I have, well you can see at FineFabrics.com what constitutes my fabric stash.....

We have a piece of Solstiss lace that has been teasing me. Many times I have pulled it from the shelf in an attempt to find the perfect color 4-ply silk crepe to match and use both to make a gown. Every time, the colors that worked best with the lace made me look, well, old.


To make myself something new to wear for the August 1 opening of Fine Fabrics 3rd Annual World's Finest Lace Event, I once again pulled down this piece of Solstiss Beaded Lace. This time, I pulled every piece of blue and green silk chiffon we had in the store. Bringing out the intricate detail and color of these very best of embellished laces is the enjoyment of working with them. I found that if I build layers of aqua, seafoam and turquoise chiffon, over a base of deep forest green 4-ply silk, the multiple colors - forest, moss, silver and teal - in this beaded lace POP!


The weight of the lace and 4-ply crepe are balanced by the flounce of the silk chiffon layers. I have the basis for a dress that I can wear for the opening of our August Lace Show.

I'll be cutting the fabric today and tracking my progress here during the next 2 weeks. You can see the finished product when you join us for the opening of our 3rd Annual World's Finest Lace Show. Contact Solstiss @ FineFabrics.com for an invitation to the opening.

The Paris Haute Couture Collection will visit Fine Fabrics of Santa Barbara through August 31, 2009. We are open Monday through Saturday, 11:00 am - 5:00 pm. Don't miss this exclusive opportunity to shop the World's Finest Lace.

Tuesday, July 14, 2009

Silk Appliqued Coat

All of Santa Barbara is getting excited in anticipation of what we will see at our 3rd Annual Lace Show. Solstiss is sending to us selections from the Paris Haute Couture Showroom that will be seen no where else. We, at Fine Fabrics, are honored to be the exclusive host of the collections' visit to the United States.

Today, two of our very special clients brought in a coat made using fabric custom made for, and procured from Fine Fabrics at last year's event. A black silk georgette, appliqued with a deep aubergine silk faille coat, designed and made by Letizia Alta Moda of Santa Barbara for her client Ceil Pulitzer. With their permission, I am sharing it with you here. If you are interested in seeing more unique pieces like this, please join us at Fine Fabrics 3rd Annual World's Finest Lace Exhibit.




Thursday, June 18, 2009

Celebrity Fashion Fabrics

At Fine Fabrics we're busy preparing for our 3rd Annual World's Finest Lace Event. Someone asked whether there are any celebrities wearing garments made using Solstiss Lace. So I went to an authority on such matters - In Style - and reviewed their celebrity fashion gallery. What struck me was how many of the most striking garments were elegantly simple in design execution, but excelled in presence because they were made of exquisite fabrics. I chose a few examples of pieces that were made by top designers using Solstiss lace. These pieces exemplify the quality of fabrics made by Solstiss.

I encourage to look around "In Style's" "Look of the Day" gallery. All are fashion inspirations....... and we look forward to seeing you in Santa Barbara in August where you'll see 100's of fabrics and laces at Fine Fabrics, some even more exquisite than used to make the garments shown in the following list.

5th confirmed sighting is Isla Fisher in a green with black chantilly Solstiss lace overlay dress from Stella McCartney Winter 2009 collection at the Bruno LA premiere, June 25, 2009. The link is provided by Stella McCartney's Twitter Team.

Isla Fisher in a green and black lace mini dress from the Ste... on Twitpic

4th confirmed sighting is Kerry Washington in a Louis Vuitton bubble dress with Solstiss Lace overlay at The 2009 Costume Institute Gala, May 5, 2009 in New York City. You'll find a picture at Instyle.com.... more to come

Third confirmed sighting is Anne Hathaway at the Cartier 100th Anniversary Celebration in New York City in a Jill Stuart minidress made using Solstiss lace. You'll find a picture of it in the May 1, 2009 installment of "Look of the Day" at
Instyle.com......more to come

Second confirmed sighting is Liv Tyler at the
Time 100 celebration in New York City in a Stella McCartney dress made using Solstiss lace. You'll find a picture of this "In Style" Editor's Pick dress in the May 6, 2009 installment of "Look of the Day" at Instyle.com

Our first confirmed sighting is of Gwyneth Paltrow in a stunning dress by Balmain from In Style's "Look of the Day" December 23, 2008..... more to come .......more to come



Sunday, June 7, 2009

Grant House for City Council

Santa Barbara City Mayor Marty Blum, Ms. Fine Fabrics (Susanne) and
Santa Barbara City Council Member Grant House

I met Grant House in 1985 when he recommended I buy a Bernina 1040 Sewing Machine. With its perfectly smooth stitch and stable motor hum, it is still my favorite machine. Today, Grant House announced his campaign to run for a second term as our representative to Santa Barbara City Council. My husband and I had the pleasure of joining he and his wife Peggy, Mayor Marty Blum and a cadre of Santa Barbara political officials to kick off his campaign for a second term as a Member of City Council of Santa Barbara. Need I say that I endorse his campaign? A small business man, a compassionate and supportive man, who knows as much about sewing machines as any and can sew too! How can anyone resist him?

Monday, June 1, 2009

Festive Attire Solutions

I decided to wear what I call my Indian fertility goddess because of the print, waterfall because of the effect of the metallic threads when they dance in the light, dress to the party suggesting "festive" attire on the invitation. That is a tough one. Every fashion blog I read interpreted "festive" as something less than cocktail. I had originally made this dress, worn with sparkling shoes and jewelery to wear to a black tie optional dinner. The resurgence of the maxi dress made this a perfect interpretation of "festive" for this season. There were a few younger than myself in classic halter maxi dresses at the event. The special guest singer at the event, Katie Gray wore one of these.

I chose to make my maxi dress with shear dolman sleeve and not-too-deep V neck at front and back. This is a much better interpretation for someone of my age and with my figure.

Our hostess was the fashion inspirational hit of the event. That is no surprise since she is a statuesque 6'1". Add 4" heels and WOW!

She wore a natural silk sheath with a deep cowl surrounding a plunging back. A terra cotta to rust wrap was casually draped over one shoulder. What was truly unique about the dress was the leather harness that held it in place across and down her back.

The challenge in designing, making or wearing a dress with a V-neck at front and back, like the dress I am wearing, or a bare back like that worn by our hostess is keeping it from slipping off the shoulders, opening at the side, or dropping down too low at center back. You hear stories about how sloppily designed gowns are taped into place on models bodies.

The harness treatment was novel and modern. A no more than 1/2" wide leather belt was buckled across our hostess' back. If I were to look at the dress from the inside, I wouldn't be surprised if I found a fitted under-dress to which the cowl is attached scooping down around the back. If you were full on top, the under-dress might include a bra inset that the belt might secure. A second belt T'd down the center back, no doubt to grab and hold the skirt in place at her lower back. A simple, but elegant, and truly great design that could be worn anywhere at anytime!

A number of years ago, I made a Kasper designed for Vogue Patterns deep cowl down the back dress for a New Year's Eve party. It was secured by a simple tie of the same fabric across the upper back, and cinched in with a ruched waistband around the hips. A large chiffon or organza bow tie might offer an updated version of this method. For a more demure approach, the back might be filled with lace, embroidered organza or chiffon.

A trick I employed with the double-"V" neckline of my Indian fertility goddess dress was to cut the neckline on the selvage. This kept it from stretching. It is silk chiffon and I wanted to leave the upper piece shear. I was able to finish this edge with a simple double-rolled hem. I lengthened the stitch to 3-1/2 on my machine settings, so I could pull it in a smidgen before securing to the dress front at front and back.

If the fabric has more bulk or it is to be lined or faced, then easing it onto a piece of very light weight seam binding to keep it from stretching and to pull it in against is a good idea. Dressmakers' rayon seam binding is a good choice. I also use the selvage from a piece of organza or chiffon. The neckline edge should be eased not enough to show gathers, but just enough to pull in instead of out.

My nature photographer husband did not want to appear like papparazzi, so we did not take a camera any further onto the Montecito estate grounds than where our cars were parked. I could have done without pictures of people and what they wore, but I wish I had a photograph of the table. It was set in a "u" shape on an outdoor patio. Each table setting had a crystal white wine, red wine, water and pleated blue champagne glass. Each table setting had 3-5 candles. The effect was worthy of Camelot. Indeed, it felt as if we were there.

The party was coordinated by Events by Phillipe. Need I say that the French meal was superb. Magician Rich Ferguson roved the party keeping all perky and at ease. Best of all were our host and hostess, with love for family and friends, and a passion for life that outshines even the most elegant of settings.

Wednesday, May 13, 2009

Angels Do Exist

In my quest to find the perfect source for everything related to sewing, I stumbled upon Marx's Tailoring Supply. If my memory serves me correctly Marx's Tailoring Supply was located at One Figueroa, or was it One Wilshire, in downtown Los Angeles. It doesn't really matter, but I remember the building name and address inlaid on the door step marking a grander time for the neighborhood. You won't find the showroom there now. Mrs. Marx was using a walker over 25 years ago, when I stumbled upon her showroom.

My father drove me there. Together, we listened to Mrs. Marx' life story as she pulled out felt, under collars, hymo, basting thread, silk thread on wooden spools, dressmaker quality rayon seam binding, and all these wonderful tailoring supplies that I had yet to find anywhere else.

One of my most precious procurements that day was a sterling silver thimble. Mrs. Marx pulled from her case the one that fit perfectly. The thimble was lost in the mid 1980's. I can remember where we lived and the car I was driving at the time. I remember tearing them apart in my quest to find this perfect thimble.

I was thinking about that thimble recently, and when I opened my sewing drawer, there it was. Now, I know I lost this thimble sometime during the mid 1980's. I cannot explain how it has now re-appeared some 20 years later. Its not as polished as I remember, but this magic thimble fits and works like the original. Guess it means I'm gearing up for some serious hand sewing!